They were gladly offered as tokens of love with the portrait of the loved one, or to signify friendship. Precious models, filled with silver or precious stones, became diplomatic or military gifts.
King Louis XIV, who was not a snuff-taker, had many of them made, very expensive, to offer to representatives of foreign powers with whom he had dealings. Snuffboxes were then mainly made of gold enhanced with precious stones, silver, enamel, mother-of-pearl, porcelain, oriental lacquer, or Martin varnish (imitation lacquer). With time and the growth of its culture (the powdered tobacco from the farmers was mainly produced in Morlaix and highly appreciated), tobacco became increasingly popular and eventually reached all layers of society. Thus, at the Revolution, the snuffbox was no longer reserved for the wealthy, tobacco became democratized and the people snuff.
The snuffbox also became the rallying sign of the sans-culottes and was widely used by the army. Gold was replaced by "pomponne", developed by two goldsmiths, Turgot and Daumy, established in the late 18th century in the Hotel de Pomponne, rue de la Verrerie in Paris. It is an alloy based on copper intended to imitate gold or silver. Louis XV granted them a manufacturing privilege, whereas until then, all imitation was prohibited. New materials emerged: papier-mâché, leather, bark...The servant, the washerwoman, like the poorest of peasants also had their "snuff box". Thus, initially sold only by apothecaries, tobacco ended up on display behind grocery counters before joining certain gaming houses and beverage outlets called "tobacconists". There are many shapes and sizes of snuffboxes, either pocket or table, depending on their use outdoors or indoors.